Yannick
NYT Critic’s Pick | Not Rated | Comedy, Drama | Directed by Quentin Dupieux
Audience members revolting against bad art isn’t a new thing, but Quentin Dupieux puts a fresh twist on that theme in his surreal new comedy.

Raphaël Quenard in “Yannick.”
By ELISABETH VINCENTELLI

Housekeeping for Beginners
NYT Critic’s Pick | R | Comedy, Drama | Directed by Goran Stolevski
Sad news forces a diverse group of friends to take unorthodox action in this volatile, affecting drama.

Mia Mustafa in “Housekeeping for Beginners.”
By JEANNETTE CATSOULIS

The First Omen
NYT Critic’s Pick | R | Horror | Directed by Arkasha Stevenson
A prequel to the original franchise, this debut feature from Arkasha Stevenson is a thrilling mash-up of horror tropes that gives the story new life.

Sônia Braga, left, with Nell Tiger Free in “The First Omen.”
By BRANDON YU

Chicken for Linda!
NYT Critic’s Pick | Not Rated | Animation, Comedy, Musical | Directed by Sébastien Laudenbach, Chiara Malta
In this madcap film, a mother’s apology leads to a delightful misadventure that begins with mourning and ends with a father’s favorite recipe.

A scene from “Chicken for Linda!”
By LISA KENNEDY

The Beast
NYT Critic’s Pick | Not Rated | Drama, Romance, Sci-Fi, Thriller | Directed by Bertrand Bonello
Bertrand Bonello’s latest film, starring Léa Seydoux and George MacKay as lovers in three different eras, is an audacious sci-fi romance.

Léa Seydoux in “The Beast,” a film directed by Bertrand Bonello.
By BEATRICE LOAYZA

The Old Oak
NYT Critic’s Pick | Not Rated | Drama | Directed by Ken Loach
A family of Syrian refugees connects with a once-thriving mining town in Ken Loach’s moving drama.

Ebla Mari, left, and Dave Turner in “The Old Oak.”
By ALISSA WILKINSON

Música
NYT Critic’s Pick | PG-13 | Comedy, Romance | Directed by Rudy Mancuso
Rudy Mancuso stars in and directs an inventive debut feature about a man with synesthesia who tries to manage his complicated life and relationships.

Rudy Mancuso in “Música,” a film that’s confidently, intentionally overwhelming.
By AMY NICHOLSON