Concrete Utopia
NYT Critic’s Pick | Not Rated | Action, Adventure, Drama, Sci-Fi, Thriller | Directed by Tae-hwa Eom
Love thy neighbor is far from mind when disaster strikes a Seoul apartment complex in this blackhearted social satire.
Park Bo-young in “Concrete Utopia.”
By JEANNETTE CATSOULIS
Anselm
NYT Critic’s Pick | Not Rated | Documentary | Directed by Wim Wenders
The history and thought of the artist Anselm Kiefer is threaded throughout this exceptional documentary from Wim Wenders.
A scene from the documentary “Anselm.”
By ALISSA WILKINSON
Origin
NYT Critic’s Pick | PG-13 | Drama, History | Directed by Ava DuVernay
Ava DuVernay’s new feature film, adapted from the Isabel Wilkerson book “Caste,” turns the journalist into a character who examines oppression.
Aunjanue Ellis-Taylor as the journalist Isabel Wilkerson in “Origin.”
By MANOHLA DARGIS
Renaissance: A Film by Beyoncé
NYT Critic’s Pick | Not Rated | Music | Directed by Beyoncé, James B. Merryman, Mark Ritchie
The concert film offers a comprehensive look at a world-conquering tour and rare insight into the process of one of the world’s biggest stars.
Beyoncé in July on the Toronto stop of her Renaissance tour.
By WESLEY MORRIS
— Of Possible Interest —
Our Son
R | Drama | Directed by Bill Oliver
A simple yet engaging melodrama, starring Billy Porter and Luke Evans, explores what it means for two fathers to divorce.
By BEATRICE LOAYZA
Park Bo-young in “Concrete Utopia.”
By JEANNETTE CATSOULIS
Concrete Utopia
NYT Critic’s Pick | Not Rated | Action, Adventure, Drama, Sci-Fi, Thriller | Directed by Tae-hwa Eom
Love thy neighbor is far from mind when disaster strikes a Seoul apartment complex in this blackhearted social satire.
Park Bo-young in “Concrete Utopia.”
By JEANNETTE CATSOULIS
Anselm
NYT Critic’s Pick | Not Rated | Documentary | Directed by Wim Wenders
The history and thought of the artist Anselm Kiefer is threaded throughout this exceptional documentary from Wim Wenders.
A scene from the documentary “Anselm.”
By ALISSA WILKINSON
Origin
NYT Critic’s Pick | PG-13 | Drama, History | Directed by Ava DuVernay
Ava DuVernay’s new feature film, adapted from the Isabel Wilkerson book “Caste,” turns the journalist into a character who examines oppression.
Aunjanue Ellis-Taylor as the journalist Isabel Wilkerson in “Origin.”
By MANOHLA DARGIS
Renaissance: A Film by Beyoncé
NYT Critic’s Pick | Not Rated | Music | Directed by Beyoncé, James B. Merryman, Mark Ritchie
The concert film offers a comprehensive look at a world-conquering tour and rare insight into the process of one of the world’s biggest stars.
Beyoncé in July on the Toronto stop of her Renaissance tour.
By WESLEY MORRIS
— Of Possible Interest —
Our Son
R | Drama | Directed by Bill Oliver
A simple yet engaging melodrama, starring Billy Porter and Luke Evans, explores what it means for two fathers to divorce.
By BEATRICE LOAYZA
A scene from the documentary “Anselm.”
By ALISSA WILKINSON
Origin
NYT Critic’s Pick | PG-13 | Drama, History | Directed by Ava DuVernay
Ava DuVernay’s new feature film, adapted from the Isabel Wilkerson book “Caste,” turns the journalist into a character who examines oppression.
Aunjanue Ellis-Taylor as the journalist Isabel Wilkerson in “Origin.”
By MANOHLA DARGIS
Renaissance: A Film by Beyoncé
NYT Critic’s Pick | Not Rated | Music | Directed by Beyoncé, James B. Merryman, Mark Ritchie
The concert film offers a comprehensive look at a world-conquering tour and rare insight into the process of one of the world’s biggest stars.
Beyoncé in July on the Toronto stop of her Renaissance tour.
By WESLEY MORRIS
— Of Possible Interest —
Our Son
R | Drama | Directed by Bill Oliver
A simple yet engaging melodrama, starring Billy Porter and Luke Evans, explores what it means for two fathers to divorce.
By BEATRICE LOAYZA