Descendant
NYT Critic’s Pick | PG | Documentary, History | Directed by Margaret Brown
This documentary recounts the salvaging of the Clotilda, the last known ship to bring enslaved Africans to America, and tracks down their progeny.
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Veda Tunstall, one of the interview subjects in Margaret Brown’s documentary “Descendant.”
By LISA KENNEDY
All That Breathes
NYT Critic’s Pick | Documentary | Directed by Shaunak Sen
Shaunak Sen’s poetic documentary chronicles the efforts of three New Delhi men to help the city’s birds of prey.
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A scene from “All That Breathes,” a documentary | Directed by Shaunak Sen.
By A.O. SCOTT
Aftersun
NYT Critic’s Pick | R | Drama | Directed by Charlotte Wells
A daughter’s memory of a vacation in Turkey is at the heart of Charlotte Wells’s astonishing and devastating debut feature.
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Frankie Corio and Paul Mescal in “Aftersun,” from the Scottish director Charlotte Wells.
By A.O. SCOTT
— Of Possible Interest —
Mama’s Boy: A Story from Our Americas
TV-14 | Documentary, Biography | Directed by Laurent Bouzereau
In this documentary, the Oscar-winning screenwriter Dustin Lance Black looks at how his relationship with his mother motivated his L.G.B.T.Q. activism.
By KYLE TURNER
Black Adam
PG-13 | Action, Fantasy, Sci-Fi | Directed by Jaume Collet-Serra
Dwayne Johnson stars in this overstuffed superhero film about an ancient figure granted god powers.
By MAYA PHILLIPS
The Pez Outlaw
Documentary, Comedy, Family, Romance | Directed by Amy Bandlien Storkel, Bryan Storkel
A purveyor of candy contraband becomes a black market hero in this blithe, lighthearted documentary.
By CALUM MARSH
My Policeman
R | Drama, Romance | Directed by Michael Grandage
A schoolteacher, her police officer husband and his lover deny each other romantic satisfaction in this dismal melodrama.
By TEO BUGBEE
Voodoo Macbeth
Drama | Directed by Dagmawi Abebe, Victor Alonso-Berbel, Roy Arwas, Hannah Bang, Christopher Beaton, Agazi Desta, Tiffany K. Guillen, Zoe Salnave, Ernesto Sandoval, Sabina Vajraca
A historical look back at Orson Welles’s production of “Macbeth” with an all-Black cast in Harlem in the 1930s.
By BEANDREA JULY