Minari
NYT Critic’s Pick | PG-13 | Drama | Directed by Lee Isaac Chung
Steven Yeun plays the patriarch of an immigrant family adjusting to American rural life in Lee Isaac Chung’s lovely new film
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Yeri Han and Steven Yeun in “Minari,” about a Korean-American family that moves to the Ozarks.
By A.O. SCOTT
Judas and the Black Messiah
NYT Critic’s Pick | R | Biography, Drama, History | Directed by Shaka King
In Shaka King’s historical drama, Daniel Kaluuya plays the radical leader Fred Hampton, with Lakeith Stanfield as the informer who betrayed him.
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A Marxist-Leninist messiah: Daniel Kaluuya (second from left) as Fred Hampton, with, from left, Dominque Thorne, Darrell Britt-Gibson and Caleb Eberhardt.
By A.O. SCOTT
Land
NYT Critic’s Pick | PG-13 | Drama | Directed by Robin Wright
In her feature directing debut, Robin Wright plays a woman who moves alone to the mountains.
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Robin Wright in “Land,” which she also directed.
By GLENN KENNY
The World to Come
NYT Critic’s Pick | R | Drama | Directed by Mona Fastvold
Katherine Waterston and Vanessa Kirby play two women who share a gradually recognized love in upstate New York in 1856.
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Katherine Waterston and Vanessa Kirby in “The World to Come.”
By BEN KENIGSBERG
— Of Possible Interest —
To All the Boys: Always and Forever
Comedy, Drama, Romance | Directed by Michael Fimognari
This final installment of the Netflix rom-com trilogy is earnest, bright-eyed and without a hint of cynicism.
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Noah Centineo and Lana Condor in “To All the Boys: Always and Forever.”
By MAYA PHILLIPS
Barb and Star Go to Vista Del Mar
PG-13 | Comedy | Directed by Josh Greenbaum
The “Bridesmaids” writers Kristen Wiig and Annie Mumolo nix the raunch for an absurdist adventure complete with musical numbers, an evil underground lair, and a talking crab.
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Kristen Wig as Star and Annie Mumolo as Barb in “Barb and Star Go to Vista Del Mar.”
By BEATRICE LOAYZA
Lapsis
Drama, Mystery, Sci-Fi, Thriller | Directed by Noah Hutton
Noah Hutton’s good-humored sci-fi movie takes aim at corporate greed and worker exploitation.
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Dean Imperial in “Lapsis.”
By JEANNETTE CATSOULIS
There Is No I in Threesome
TV-MA | Documentary | Directed by Jan Oliver Lucks
A director and his fiancée chronicle their yearlong open relationship in this documentary that offers a clever examination of perspective.
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Jan Oliver Lucks, right, with Zoe in the documentary “There Is No ‘I’ In Threesome.”
By NATALIA WINKELMAN