Food, Inc. 2
NYT Critic’s Pick | Not Rated | Documentary, News | Directed by Robert Kenner, Melissa Robledo
Directed by Robert Kenner and Melissa Robledo, the sequel about food production in the U.S. is, in some ways, a more hopeful film.

“Food, Inc. 2,” Directed by Robert Kenner and Melissa Robledo, begins by describing how the last few years have shown the risks of letting a handful of mega-suppliers dominate the market.
By BEN KENIGSBERG

Don’t Tell Mom the Babysitter’s Dead
NYT Critic’s Pick | R | Comedy | Directed by Wade Allain-Marcus
Wade Allain-Marcus has directed a rollicking update of the 1991 cult favorite.

Donielle Hansley Jr. and Simone Joy Jones in “Don’t Tell Mom the Babysitter’s Dead.”
By AMY NICHOLSON

In Flames
NYT Critic’s Pick | Not Rated | Drama, Horror | Directed by Zarrar Kahn
Set in Pakistan, the story of a young woman and her family, hemmed in by men, shifts from realism to genre, with heart-pumping consequences.

Ramesha Nawal in “In Flames.”
By ALISSA WILKINSON

Civil War
NYT Critic’s Pick | R | Action | Directed by Alex Garland
In Alex Garland’s tough new movie, a group of journalists led by Kirsten Dunst, as a photographer, travels a United States at war with itself.

Kirsten Dunst plays a war photographer in Alex Garland’s “Civil War.”
By MANOHLA DARGIS

It’s Only Life After All
NYT Critic’s Pick | Not Rated | Documentary, Music | Directed by Alexandria Bombach
The director Alexandria Bombach benefited from the musician Amy Ray’s archivist instincts in this warm, compelling new documentary.

Amy Ray and Emily Saliers were routinely mocked for being too earnest, too poetic, too folky, too lesbian. The documentary “It’s Only Life After All” takes a look at their legacy.
By ELISABETH VINCENTELLI